11/30/2023 0 Comments Julia goldani telles nude scene![]() ![]() It was hard to figure out the lights because the hats weren’t tailored special for the dancer or anything so we had to keep hitting the buttons a certain number of times to get the right light setting. I think it was Amy’s idea because in the script it said that the hats come from the fact that the girls had done a dance number about Billy Elliot and we’d all gotten black lung at the end because Fanny’s so twisted so that’s where the hats came from. ![]() In the Coal Miners routine who came up with the lighting and how long did that take to work out, and did it present any problems with the lights flashing in your eyes, et cetera? When we do dance numbers that cut to different sections it does make it easier to make mistakes because we know we can just do it again. If we messed one thing up, it ruined the whole thing and we had to start over so there were no cuts. That dance number was done in one shot so it was like it was live. ![]() On this show it’s not so different in that Amy, our executive producer, really likes to do things in one shot. How is it different dancing for a camera rather than for an audience? I got to shake my hips a little bit more than the original choreography on that because I thought that was a way for Sasha to rebel against her traditional ballet training. Walk out.” When we filmed that on every take I would walk out and slam the door. I really felt like that was such a Sasha thing to do and Marguerite said, “Okay. I said to Marguerite, “I really just want to jump out because I feel like that’s a Sasha thing to do.” Like she had her five minutes and now she’s leaving, she’s not going to take anybody’s B.S. Our choreographer, Marguerite Derricks, is really flexible about altering things to fit the way we move, and so with Istanbul (Not Constantinople) at the end, the choreography had originally been all of us would just stop and freeze in those poses. Do you get any input in to the choreography or is it all set before you start? Mallauri Esquibel and Colleen Craig are their names. And who are the dancers in the background? Are they sisters or twins? They look very much alike. I think my favorite one, just because it was so impulsive and fun, was the Istanbul (Not Constantinople) one because we learned it in three hours, and then we shot it the next day and none of us knew if it was going to be good or not and people liked it. Do you have a favorite dance performance from Bunheads? But I think they’re friends first and foremost, which is super important. With that comes wondering what comes next physically, which is why in this episode she starts obsessively researching about sex. I think he’s one of the few people that she’s really let in so he can be real with her and she can be real with him.Īnd that’s very rare for Sasha to have a relationship like that, and throughout this season we’ve seen their relationship sort of intensifying, and in this last episode especially she’s becoming more emotionally attached to him. He understands her and he understands her insecurities and how she’s scared to be vulnerable, and he sees through her facade. One thing that I really admire that Roman does with Sasha is that he tells it to her like it is, which she doesn’t get from a lot of other people in her life. Why do you think they work so well as a couple, and can you tell us a little bit about what’s coming up for them? Fans are really, really loving Roman and Sasha together. Really we’re so encompassed by our intense shooting schedule and by rehearsals and dance classes that during my free time I just sleep and talk a lot. We just work really, really hard for like three to five hours on the weekend, and then we shoot during the week. We take private lessons so we get about 2.5 hours of dance classes per week, and that’s on top of our rehearsals for the weekly numbers. ![]() How much time do you have to practice dancing every week? A temporary injury prompted Julia to look into acting and soon after, she landed the role of the rebellious Sasha Torres in Bunheads. She has been featured in numerous ballets, including Sleeping Beauty, Nutcracker, Don Quixote and Swan Lake. A Hollywood newcomer, Julia Goldani Telles started dancing in Brazil when she was five years old and continued her training in Los Angeles and New York. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |